WarpSpeed®
FPV that gets inside the chase, not above it.
One camera through the whole workflow
Handheld for the tightest angles and fastest moves.
Pole mode for overhead passes, wrap-arounds, and impossible proximity.
Most productions previs with small gimbal cameras, then switch to heavy builds on set and lose the movement. We do not switch tools midstream. WarpCam® runs from previs and rehearsals through principal photography and pickups, so the movement you design stays intact.
WarpCam®: full-frame X9-8K Air capture at up to 8.1K/75 fps in 12-bit ProRes RAW, or 8K/25 fps in 16-bit CinemaDNG, with 14+ stops of dynamic range.
HyperWarpCam®: 5K 600 fps or 4K 800 fps (Nano Primes optional)
AERIAL COMBAT: THE FPV REVOLUTION
BUILT FOR AGGRESSIVE FPV TURNS.
Aggressive manoeuvres can push conventional cinema-gimbal setups beyond their operating envelope. The result may be lost horizon or stabilization exactly when the shot matters.
WarpCam® is configured for the turn.
The system is tuned for high-torque resistance and independent horizon control. The aircraft can bank or fly sideways while the camera remains stabilized and visually readable.
THE FAST X PROVING GROUND We didn't test this in a lab. We proved it on the set of Fast X. Working with Stunt Coordinator Andy Gill, the production deployed a stabilized FPV configuration for close-proximity chase coverage between moving vehicles.
On Fast X, a gimbal-mounted FPV configuration moved between drifting cars to capture close-proximity aerial coverage while keeping a camera operator off the vehicle path.
We don't just capture the aerial view. We capture the pilot's aggression.
