WarpCam®

THE WAY IN - HANDHELD TO HORSEBACK

WarpCam® is an ecosystem, not a single rig.

It starts handheld, because that is where the real angles live. Then it scales:  vehicle, FPV-drone, motorcycle, horseback.

The point is access. Fast access. Tight access. Stable access. We put the camera where other builds cannot go, and we get there without slowing the stunt down.

And when the day gets rough, it keeps rolling. This is a unit, not a rental.

PROVEN ON SET - TRUSTED BY THE RUSSO BROTHERS  (Watch testimonial)


We do not ship gear. We deploy a unit.


WarpCam® is a camera ecosystem built for stable, close-proximity coverage at speed. Handheld first, then pole, FPV drone, RC, and vehicle mounts.

  • The Gray Man — Russo Brothers — WarpCam® prototype nicknamed PogoCam, operated side by side with Ryan Gosling in the tram fight
  • Fast X — Ultra-Flat under-car shots, WarpSpeed®-enabled FPV drone chase, close-proximity motorcycle work with Jason Momoa
  • 21 Bridges — Chadwick Boseman — tight close-quarter pursuits inside an urban manhunt
  • Jawan — Shah Rukh Khan — signature wrap-around hero shots and of course WarpSpeed® in the air

THE RESULT
More angles per day. Fewer resets. Footage that cuts.

Not Just a Camera – A Complete Action Ecosystem 

Pick the platform. Keep the cinematic DNA.

WarpCam®

One camera for the whole workflow

RIG UP

WarpSpeed™

FPV inside the chase, not above it.

DIVE IN

HyperWarpCam®

800fps | Impact Moments in Slow Motion

SLOW TIME

WarpDrive®

Ultra-low RC chase cam for car action.

GO LOW

WarpCam® Set Diaries

Production shots mixed with real prototypes.

  • The WarpCam® system mounted on a complex rig, capturing a high-speed action sequence on a bustling movie set, with crew members in the background focused on the shoot.

    The WarpCam® system

    The WarpCam® system mounted on a complex rig, capturing a high-speed action sequence on a bustling movie set, with crew members in the background focused on the shoot.

  • Female WarpCam operator on an action movie set in downtown Los Angeles, holding and operating the Hyper WarpCam amid city buildings and set activity during a high intensity scene.

    Female WarpCam OP

    Female WarpCam operator on an action movie set in downtown Los Angeles, holding and operating the Hyper WarpCam amid city buildings and set activity during a high intensity scene.

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  • Close-up of the WarpCam® technology with its intricate lenses and stabilizers, ready for action on a film set, highlighting its advanced design and functionality

    WarpCam® close-up

    Close-up of the WarpCam® technology with its intricate lenses and stabilizers, ready for action on a film set, highlighting its advanced design and functionality

  • Warpcam lifting off at sunset, mounted on JohnnyFPV's drone.

    Warpcam lifting off

    Warpcam lifting off at sunset, mounted on JohnnyFPV's drone.

  • From RC cars to aerial views, WarpCam® captures it all.

    WarpCam® RC car

    From RC cars to aerial views, WarpCam® captures it all.

  • Female WarpCam operator on an action movie set in downtown Los Angeles, holding and operating the Hyper WarpCam amid city buildings and set activity during a high intensity scene.

    Female WarpCam operator

    Female WarpCam operator on an action movie set in downtown Los Angeles, holding and operating the Hyper WarpCam amid city buildings and set activity during a high intensity scene.

  • Warpcam positioned in front of a bluescreen on the set of 'Jawan'.

    Warpcam positioned in front of a bluescreen on the set of 'Jawan'.

    Warpcam positioned in front of a bluescreen on the set of 'Jawan'.

  • Unique perspective of a car's underbelly captured by WarpCam®

    Unique perspective of a car's underbelly captured by WarpCam®

    Unique perspective of a car's underbelly captured by WarpCam®

  • Dynamic shot of WarpCam® mounted on RC car speeding on set

    Dynamic shot of WarpCam® mounted on RC car

    Dynamic shot of WarpCam® mounted on RC car speeding on set

  • Film crew and actors preparing for the next big sequence, WarpCam® in view.

    WarpCam® on FPV racing drone

    Film crew and actors preparing for the next big sequence, WarpCam® in view.

  • Efficiency meets innovation: WarpCam® set for the next big shot

    WarpCam® resting

    Efficiency meets innovation: WarpCam® set for the next big shot

  • From Hollywood to indie films, WarpCam® is the filmmaker's trusted ally

    WarpCam® is the filmmaker's trusted ally

    From Hollywood to indie films, WarpCam® is the filmmaker's trusted ally

  • Dive deep into the action with WarpCam®'s unparalleled vision

    The flat WarpCam®

    Dive deep into the action with WarpCam®'s unparalleled vision

  • WarpCam unit without gimbal attached to a carbon fiber FPV racing drone, lying on a table between shots, showing the compact lightweight rig used for high speed low angle cinematic footage.

    WarpCamBuddy FPV Drone Rig – Carbon Fiber Setup

    WarpCam body mounted on a carbon fiber FPV racing drone, resting on a table between high speed takes.

  • Close-up view of WarpCam®'s sleek design on set capturing dynamic ground shots

    WarpCam® Prototype: The Calm Before Action

    Quiet setup moment on Jawan, right before everything starts moving fast.

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  • Intense behind-the-scenes with WarpCam® capturing a high-speed chase

    WarpCam® Prototype Prep on Jawan Set

    Building the rig that survives real takes, real speed, real Jawan chaos.

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  • The heart of action: WarpCam® getting those impossible shots

    WarpCam® prototype on Jawan

    Final checks, last tweaks, then straight into the action on Jawan.

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  • Dramatic angle of WarpCam®'s lens focused on an intense movie scene

    WarpCam® Prototype Deployment on Jawan

    Early-stage WarpCam® rigging and prep, built to deliver on a real movie set.

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  • Film crew using WarpCam® on movie set during high-speed action sequence.

    WarpCam® Prototype, Set-Ready

    Final checks, last tweaks, then straight into the action on Jawan.

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  • Technicians adjusting the WarpCam® on a gyro-stabilized mount, preparing to capture a smooth, high-octane car chase scene on a closed city street set.

    WarpDrive in prep

    WarpCam® Prototype: Pre-Rig Phase

    Building the rig that survives real takes, real speed, real Jawan chaos.

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  • Pioneering a new wave of filmmaking with WarpCam® on RC

    WarpCam® on RC with Ferdi and his assistant

    Pioneering a new wave of filmmaking with WarpCam® on RC

  • WarpCam®: The silent hero behind every breathtaking frame

    WarpCam® in Rome on Fast X

    WarpCam®: The silent hero behind every breathtaking frame in Rome

  • Film operator holding stabilized WarpCam® amidst high-intensity shooting

    Film operator holding WarpCam®

    Film operator holding stabilized WarpCam® amidst high-intensity shooting

  • WarpCam® mounted on an RC car, navigating beneath roaring vehicle engines.

    WarpCam® mounted on an RC car

    WarpCam® mounted on an RC car, navigating beneath roaring vehicle engines.

  • Bird's eye view of bustling film set, dominated by WarpCam® technology

    WarpCam® technology on FPV Drone

    Bird's eye view of bustling film set, dominated by WarpCam® technology

8K IN A PELICAN 1650.

Warpcam securely stored inside a Pelican™ 1650 Protector Case.

HEAVY GEAR KILLS MOMENTUM.


Studio cameras are anchors. They require carts, cables, and time. In an action sequence, time is the enemy.

We stripped the fat. The entire WarpCam® arsenal - lenses, remotes, uplinks, and all-day power - fits inside a single Pelican™ 1650 Protector Case. We don't occupy the set; we infiltrate it. This means lightning-fast setups and a footprint so small it allows the Director to move faster than the schedule dictates.
Two Warpcams securely stored inside two Pelican™ 1650 Protector Cases.

MIRRORED REDUNDANCY.


IF IT BREAKS, WE DON'T CUT.

In the kill zone, equipment is a casualty of war. When you are filming inches from a crash or inside an explosion, gear gets destroyed. That is the reality of the job.

We don't rely on luck; we rely on Mirrored Redundancy. Every WarpCam® unit travels with a clone. If a drift car smashes the primary rig or a pyrotechnic charge melts the housing, we don't shut down the day. We open the second case.

We are back online in 60 seconds. We don’t just pack light. We pack for the worst-case scenario.

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