IN ONE TAKE
It defines the result, not the rig: immersive movement across handheld, vehicles, horseback, FPV and spaces conventional cinema cameras cannot reach. The Floating Action Unit can detach, join, stay or advance between First Unit, Second Unit and Splinter Unit—bringing WarpCam® coverage, stunt design and post-ready delivery into the action plan.
WarpCam® is a camera ecosystem built for immersive, close-proximity action coverage—not a single rig. It moves across handheld, pole, FPV drone, RC and vehicle configurations while keeping one visual language.
It is designed to put the audience inside practical action: close to performers, vehicles and movement, including spaces and angles conventional cinema-camera builds may not reach efficiently.
No. WarpCam® is deployed as an operated unit, so camera movement, configuration and on-set workflow stay connected to the demands of the action.
The core package—cameras, lenses, remotes, uplinks and power—fits into a Pelican™ 1650 case, allowing the unit to work with a compact footprint and move quickly between setups.
It starts handheld, because that is where the real angles live. Then it scales: vehicle, FPV-drone, motorcycle, horseback.
The point is access. Fast access. Tight access. Stable access. We put the camera where other builds cannot go, and we get there without slowing the stunt down.
And when the day gets rough, it keeps rolling. This is a unit, not a rental.
We do not ship gear. We deploy a unit.
WarpCam® is a camera ecosystem built for stable, close-proximity coverage at speed. Handheld first, then pole, FPV drone, RC, and vehicle mounts.
THE RESULT
Built to add close-proximity angles, shorten selected resets and deliver footage designed for the edit.
Production shots mixed with real prototypes.
HEAVY GEAR KILLS MOMENTUM.
Studio cameras are anchors. They require carts, cables, and time. In an action sequence, time is the enemy.We stripped the fat. The core camera package—body, selected lenses, controls, uplink and batteries—can be configured around a Pelican 1650 case; platform-specific mounts and vehicles travel separately. The compact footprint is built for faster selected setups and flexible camera movement on action units.
MIRRORED REDUNDANCY.
IF IT BREAKS, WE DON'T CUT.
In the kill zone, equipment is a casualty of war. When you are filming inches from a crash or inside an explosion, gear gets destroyed. That is the reality of the job.
We don't rely on luck; we rely on Mirrored Redundancy. Every WarpCam® unit travels with a clone. If a drift car smashes the primary rig or a pyrotechnic charge melts the housing, we don't shut down the day. We open the second case.
A mirrored backup configuration can reduce downtime if a primary rig is damaged. We don’t just pack light. We pack for the worst-case scenario.
